If you read enough of her work, you’ll soon realize that death is a recurring theme in Emily Dickinson’s poems. Some have found it morbid, but others appreciate the innate curiosity that drew her into philosophizing and speculating about death and an afterlife. Biographers have noted that she grew up living next to a cemetery, which may have started her thinking about the subject. Throughout her life, she was an avid observer of nature and as her poetry reveals, a deep thinker. As a homebody, she certainly had time on her hands to engage in both of those activities.
I don’t write about death a lot, but I will confess to having a preoccupation with True Crime/Murder. I’m a Dateline junkie and have just discovered a great true crime podcast to listen to while I work on the cutting and pasting part of this project. Somehow, I think if Emily were alive now, she’d share my attraction. I haven’t spent a lot of time trying to analyze why I’m drawn to that kind of thing, as opposed to the Hallmark movie genre, but a quick Google of the question tells us that people like me are drawn to the genre because its speaks to the dichotomies of life (good-vs-evil, etc.) and like a haunted house or going to Halloween Horror Nights, we get to experience fear in a safe setting. Makes sense to me.
Emily often wrote about the dichotomies of life and today’s Carol and Emily poem does that too with ecstasy and sorrow, breath and death….
The Carol and Emily Project 